memento mori
@tenposike
just a little scrapbook where i reblog posts on the topic of death and posts that celebrate life and history. no original content. content warning for death, possibly unreality and occaisonally outdated language
raindropsonwhiskers
itwashotwestayedinthewater

i....found a rare shoegaze tape. legit. band does not exist online. tape is at least 20 years old. This is so Sam

itwashotwestayedinthewater

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rare tape.

itwashotwestayedinthewater

ok ok....track for you from rare tape. ripped by me

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itwashotwestayedinthewater

I HAVE SOURCED MORE INFO!!!! from my friend who works at an nz audio archive and they HAVE THE TAPE THERE? COVER:

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itwashotwestayedinthewater

Final info ive put together after i have just looked over the insert notes (inside the other tape) sent to me by my friend:

This band had Steven Wells and Andrew Bain in it - they went on to be in a pretty popular NZ rock band called Fur Patrol from late 90s-2000s, so this is a precursor to that. in the notes they also thank Campbell Kneale, a prolific underground nz musician in bands like Birchville Cat Motel and Black Boned Angel. they also thank "Drinkwater".

itwashotwestayedinthewater

alright everyone. after 33k+ notes on an obscure 90s indie song from Aotearoa i gotta admit many want to hear the rest, & as i cant think of a better format to supply this, here's the rest of the tape in this post. please let it stay here where it needs to be, don't spread it like its yours. its not mine either!
i now present to you:
Clayflower - Still (1993, Aotearoa, Cassette, Shoegaze/Indie Rock)

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I Am Not AloneClayflowerStillimage

beautiful and cool obscure music like this is everywhere if you just wanna look for it even for a few minutes. dont let yourself think someone has to come along and show it to you <3

acoldghostlypresence
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Mona Hatoum, Grater Divide, 2002
Mild steel, 204 cm x variable width and depth

earnedmagic

Mona Hatoum is a Palestinian artist. From Artform’s 2021 Rape is a Border:

Take Grater Divide, 2002. The work is ridiculous: a standing metal cheese grater more than six feet high. Installed in a gallery, it works as a room divider, but the holes make privacy impossible. The wall is a weapon rather than a shield: A person undressing behind it could be cut as well as peeped at, opened up by sharp edges made for shredding. The work is not only an enlargement of a grater, however, but also a miniaturization of a divide, prototyping, in particular, the West Bank barrier Israel had begun to construct on appropriated Palestinian land. A person traveling through a border checkpoint may be asked to undress—strip searches are not prohibited by Israeli law. In the United States, they have been allowed ever since the 1985 Supreme Court case United States v. Rosa Elvira Montoya de Hernandez, which originated with the cavity search of Hernandez, who was traveling to Los Angeles from Colombia. In both countries, the coercive invasion of bodies is more likely to be visited on people of color, who are disproportionately singled out for selective or heightened “screening.” This word’s very meaning is reframed, or enlarged, by the Grater Divide. Gloria Anzaldúa, the queer Chicana theorist of Borderlands/La Frontera (1987), called the United States–Mexico border an “open wound” where “the Third World grates against the first and bleeds.” All borders are graters: not solid walls but permeable ones whose pores are sharpened to pierce what passes through.